First is tricky Hollywood accounting. This may sound ridiculous, but it happens
quit often. “A studio makes a movie,”
and then distributes the movie, but however the distributor is basically a
separate company and both belong to the same parent company. And they also set whatever fee they
want. This is the interesting part if
they want to charge themselves eleven “quintillion” dollars for distributing
the movie they can. It doesn’t stop
there, even if they, in the box office, earn billions of dollars, they are
still in debt, to themselves, and have not turned a profit.
Take for example David Prowse, who was the guy in the Darth Vader costume in the original Star Wars trilogy, get this he has “never been
paid for Return of the Jedi because it hasn’t turned a profit” in 30
years. Think of all the home movies and
theatrical re-releases that movie has had and he never got paid. That is just one example of how Hollywood
accounting has screwed someone over.
Next is extorting theaters.
We’ve all been there at the movies and spent $7 on a box of
popcorn. The truth is movies theaters
had to look for ways to “increase revenue,” upping the prices on things like
candy and adding ads to the start of films.
You may ask yourself why is this when new releases are continually
breaking records and make “obscene amounts of money?” It’s simple, film studios don’t want theaters
getting a break.
Third, fake reviews.
You’ve probably never seen a trailer for a movie that is dumb. Think of one critic’s review of “Live Free or Die Hard” got cut from “hysterically overproduced and surprisingly
entertaining” to “hysterically…entertaining.”
Then there’s, copyright bullshit. The thing is big companies use copyrights as
a way to keep people from what they right.
And strangling consumer choice, you see Hollywood studios
don’t like companies like Netflix, Redbox or Hulu because they don’t want you
to watch you what you want when you want at a reasonable price. The reason is because it cuts into their
profits of DVD’s and pay-per-view rentals.
Last, stealing scripts.
It’s “almost commonplace.” There
are many examples of writers pitching an idea to Hollywood producers including
a big name for the movie. And then a few
months later a similar movies with, that you guessed it, the big name actor,
comes out.
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